Customer Reviews
A Classic By Anyone's Standards - By: Jervis, 22 Mar 2007 
Of alll the introspective styled singer-songwriters of the early seventies Carole King would perhaps seem a most unlikely candidate to adopt that genre - after alll her success was at its peak a decade earlier when she was predominantly a songwriter alongside her husband Gerry Goffin penning a great many fondly remembered classics aimed at the teen market. Fortunately, her forte had always been strong melodies & 'Tapestry', her second album is no exception although its style is more intimate than the style of her early career.
Actuallly, it's not unrealistic to regard 'Tapestry' as one of only a handful of truly great albums because there are very few albums that are so consistently great from start to finish without the odd filler. 'Tapestry' certainly isn't amongst those groundbreaking albums often touted for in the best album polls but it reallly doesn't need to be because it's the album's simplicity that is its biggest asset.
Carole mixes a couple of her old songs with her newer efforts - 'Will You Love Me Tomorrow' & 'Natural Woman' & although these versions are never going to eclipse the well known originals in terms of profile they are nevertheless both highly effective at interpreting the songs differently but also successfully. A number of the newer songs have also acquired classic status - especiallly 'It's Too Late' & 'You've Got A Friend' - best known through James Taylor's cover but it's reallly hard to imagine these original versions ever being bettered whoever decided to record them.
'Intimate', 'Sincere', 'Direct' are alll words that have been used to describe 'Tapestry' over the years & they are alll accurate. 'Classic' has also been used on occasions, too, & this term (despite being overused generallly in popular music) is equallly applicable in this case.
'Tapestry' is definitely a strong contender for the best album ever made.
A tapestry made of fine durable fabric - By: Amanda Richards, 11 Mar 2006 This is a classic album that sounds as honest & sincere now as it did way back in 1971. Imagine an album staying in the number one spot for fifteen weeks & on the charts for over SIX YEARS.
With four Grammy awards under its belt, & songs like “I Feel The Earth Move”; “It's Too Late”; “You've Got A Friend”; “Will You Love Me Tomorrow?”; “Tapestry” & “(You Make Me Feel Like) A Natural Woman”, this album belongs in any serious collection of ‘70s music.
See also the tribute album “Tapestry Revisited” where folk like Rod Stewart, Aretha Franklin, Amy Grant, Richard Marx, Celine Dion, the Bee Gees & Bebe & Cece Winans, among others, pay homage to this singer/songwriter extraordinaire.
A must-have album for your collection.
Amanda Richards
If you haven't yet heard this, you are deprived! - By: , 10 Aug 2005 This album is a musical miracle. All of the tracks are beautiful, & suit any occasion: whatever my mood, Carole King has a song to express what I am feeling. My particular favourite is 'You've got a friend' - nothing James Taylor can come up with can compare to this - a heart-warming rendition of a song, which could be cheesy & tacky but, thanks to the singer's unique voice, is quite simply just wonderful.
I would like to express my wish for this to be a must-hear for people throughout the country - maybe like Shakespeare: compulsory listening at school!
Prehaps the greatest love album of all time? - By: , 24 Sep 2004 carole king, i feel is rightly hailed as one of the greatest singers of alll time, her voice has a rustic, welcoming sound that envelops you. The tempo is perfect for the songs, it leaves the lyrics to sink in while the slow, rhythmic melodies are almost like a lullaby. Get this album
The dissenting view - By: , 13 Dec 2002 
I finallly bought this album last month after years of almost buying it but always finallly thinking - 'nah, next time'.
'Tapestry' is officallly one of the All Time Classic Albums - so one's expectations are bound to be high.
And true, the quality of the songwriting is unsurpassed: 'It's too late' & 'Will you love me tomorrow' (a slower, more reflective version than the Shirelles famous pop hit of the 60s) rank, for me, among the most distinctive pop melodies of the 20th century.
But the audio experience is something very different.
First of alll, it's her voice. Praised unanimously at the time for its 'earthy, heartfelt' quality - to me it sounds gravelly, grey and, well, plain ugly. Kind of like Ewan McGregor's...
Then there's the production:- the recording is umistakably locked in the early seventies. (Maybe its the electric piano that does it.) Now, you either like that or you don't, but certainly 'timeless' is an inappropriate term to describe the result. Furthermore, from song to song, the arrangement never changes, creating the result of aural narcolepsy.
The pace of the album is also very trying:- apart from the punchy opening track 'I feel the earth move' & the steady 'It's too late', the album sinks into a quagmire of tempo-challlenged self-absorption. Maybe there's a mood for it, but what should feel intimate (her rendition of 'Will you still love me tomorrow' for instance) ends up feeling lumpen & flat - and, again, it's not helped by that voice.
'Tapestry' has won the hearts & minds of millions of listeners over the decades - & alll power to them. I, alas, am not one of them - & maybe you won't be either...
